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| José Manuel Ballester | La abstracción en la realidad | La Fabrica Editorial | 2013 |
| Olivo Barbieri | Site Specific | Aperture | 2013 |
| Olivo Barbieri | Site specific_MONZA 08 | SilvanaEditoriale | 2008 |
| Sue Barr | The Architecture of Transit | Hartmann Books | 2019 |
| Adam Bartos | Boulevard | steidldangin | 2005 |
| Marwan Bassiouni | New Dutch Views | Lecturis | 2019 |
| Giasco Bertoli | Tennis Courts | Nieves and NERO | 2009 |
| Giasco Bertoli | Tennis Courts II | Nieves | 2013 |
| Giasco Bertoli | Tennis Courts III | Nieves and NERO | 2018 |
| Giasco Bertoli | Tennis Courts IV | Nieves and Racquet | 2022 |
| Roman Bezjak | Socialist Modernism | Archäologie einer Zeit | Hatje Cantz | 2011 |
| Marie Bovo | night drippings | Galerie Kamel Mennour | 2005 |
| Luca Campigotto | Iconic China | Damiani | 2017 |
| Frédéric Chaubin | CCCP | Cosmic Communist Constructions Photographed | Taschen | 2011 |
| Lucien Clergue | Brasília | Hatje Cantz | 2013 |
| Peter M. Cook | edo | Hatje Cantz | 2018 |
| Nicoló Degiorgis | Hidden Islam | Rorhof | 2014 |
| Lennart Durehed | Vicinity & Ceilings | Art and Theory Publishing | 2015 |
| Katrín Elvarsdóttir | Double Happiness | Crymogea | 2016 |
| Joakim Eneroth | Swedish Red | Steidl_GUN | 2013 |
| J. H. Engström | CDG/JHE | Steidl | 2008 |
| Cesare Fabbri | The Flying Carpet | MACK | 2017 |
| Mário Rui Feliciani | quando o carteiro chegar | Imprensa Oficial SP | 2004 |
| Walter Fernandes / Miguel Hurst | Angola Cinemas | Steidl | 2015 |
| Leonardo Finotti | Oscar Niemeyer | Produtora Brasileira de Arte e Cultura | 2016 |
| Peter Fischli & David Weiss | 800 Views of Airports | Verlag der Buchhandlung Walther König | 2012 |
| Gianluca Galtrucco | For Your Consideration | Hatje Cantz | 2017 |
| Luigi Ghirri | Colazione sull’Erba | MACK | 2019 |
| Luigi Ghirri | Karte und Gebiet | MACK | 2018 |
| Luigi Ghirri | Kodachrome | MACK | 2012 |
| Luigi Ghirri | Pensiero Paesaggio Thought Landscape | Silvana Editoriale | 2016 |
| David Goldblatt | Intersecções Intersectadas | Civilização Editoria | 2008 |
| Michael Gossage | London Minimalist | atteret | 2020 |
| Guido Guidi | In Veneto 1984-89 | MACK | 2019 |
| John Håkansson | I närheten | Tallinna Raamatutrükikoja OÜ | 2014 |
| Tom Haller | Nuggets | American Landscapes | Scheidegger & Spiess | 2019 |
| Gerry Johansson | Antarktis | Libraryman | 2015 |
| Gerry Johansson | Borås | Johansson & Jansson | 2019 |
| Gerry Johansson | Deutschland | MACK | 2012 |
| Gerry Johansson | Meloni Meloni | Johansson & Jansson | 2020 |
| Gerry Johansson | Ravenna | Osservatorio Fotografico | 2015 |
| Gerry Johansson | Spanish Summer | MACK | 2022 |
| Gerry Johansson | Supplement: Deutschland | Johansson & Jansson | 2017 |
| Gerry Johansson | Tokyo | Only Photography | 2016 |
| Nadav Kander | Dust | Hatje Cantz | 2014 |
| Philipp Keel | Last Summer | Steidl | 2021 |
| Philipp Keel | Splash | Steidl | 2016 |
| Ola Kolehmainen | Fraction Abstraction Recreation | Hatje Cantz | 2007 |
| Josef Koudelka | Decreazione | Contrasto | 2014 |
| Josef Koudelka | Wall | Prestel | 2013 |
| Andrej Krementschouk | Chernobyl Zone (II) | Kehrer | 2012 |
| Irene Kung | The Invisible City | Contrasto | 2012 |
| Mårten Lange | The Mechanism | MACK | 2017 |
| Jaeuk Lee | New Town | Self | 2016 |
| Sze Tsung Leong | History Images | Steidl | 2006 |
| Sze Tsung Leong | Horizons | Hatje Cantz | 2014 |
| Massimo Listri | The World’s Most Beautiful Libraries | Taschen | 2018 |
| Douglas Ljungkvist | Ocean Beach | Kehrer | 2013 |
| Yves Marchand / Romain Meffre | Gunkanjima | Steidl | 2013 |
| Yves Marchand / Romain Meffre | Movie Theaters | Prestel | 2022 |
| Yves Marchand / Romain Meffre | The Ruins of Detroit | Steidl | 2010 |
| Domingo Milella | Domingo Milella | Steidl | 2015 |
| Yann Mingard | Deposit | Steidl | 2014 |
| Yann Mingard | Repaires | Hatje Cantz | 2012 |
| Patrick Morǎrescu | Performing Grounds | Trema Förlag | 2016 |
| Alex Pardi | Tangenziale | Peperoni Books | 2015 |
| Martin Parr | Luxury | Chris Boot | 2009 |
| Martin Parr | Martin Parr | Phaidon | 2004 |
| Martin Parr | No Worries | T&G Publishing | 2012 |
| Martin Parr | We Love Britain! | Schirmer/Mosel | 2014 |
| Paola De Pietri | Istanbul New Stories | Steidl | 2017 |
| Paola De Pietri | Paola de Pietri | Snoeck | 2018 |
| Paola De Pietri | To Face | Steidl | 2012 |
| Platon | Power | Schirmer Mosel | 2011 |
| John Riddy | Photographs | Steidl | 2019 |
| Paolo Rosselli | Architecture in Photography | Skira | 2001 |
| Will Scott | Seaside Shelters | HENI Publishing | 2018 |
| Helge Skodvin | 240 Landscapes | Journal | 2015 |
| Ama Split / Riky Kiwy | Palazzi Collection | Self | 2022 |
| Mario Testino | 私视角 Private View | Taschen | 2012 |
| Joël Tettamanti | Davos | Scheidegger & Spiess | 2009 |
| Guy Tillim | Avenue Patrice Lumumba | Prestel | 2008 |
| Danila Tkačenko | Restricted Areas | Kehrer | 2016 |
| Lars Tunbjörk | Kontor / Office / オワイス | Max Strom | 2002 |
| Massimo Vitali | Beach & Disco | Steidl | 2000 |
| Massimo Vitali | Landscape with Figures | Steidl | 2004 |
| Massimo Vitali | Massimo Vitali | Photographer | Centro per l’arte contemporanea Luigi Pecci | 2004 |
| Massimo Vitali | Natural Habitats | Steidl | 2010 |
| Oliver Wainwright | Inside North Korea | Taschen | 2018 |
| Nick Waplington | Settlement | MACK | 2014 |
| David Willen | Fluchten / Vanishing Points | Benteli | 2007 |
| Alastair Philip Wiper | Unintended Beauty | Hatje Cantz | 2020 |
| Liam Wong | After Dark | Thames & Hudson | 2022 |
| Liam Wong | TO:KY:OO | Thames & Hudson | 2021 |
| Donovan Wylie | Housing Plans for the Future | Steidl | 2018 |
| Donovan Wylie | Maze | Steidl | 2009 |
| Donovan Wylie | The Tower Series | Steidl | 2014 |
